| A-level Portfolio |
Reading and Writing Processes |
Evidence of the writer’s ability to
- offer insightful responses to the reading of published texts, orally,
in writing, and electronically via e-mail, on-line discussions, etc.
- offer insightful responses to classmates’ texts, orally, in
writing, and electronically via e-mail, on-line discussions, etc.
- incorporate the reading of student and professional texts into every
stage of his/her writing processes
- make global, paragraph-and sentence- level revisions using a wide
range of strategies (addition, deletion, substitution, transposition,
transformation)
- frequently use teacher and peer response generatively, moving beyond
a single, narrow comment to revise other aspects of the paper or to
initiate revisions
|
| Rhetorical Situations |
Consistently demonstrates the writer’s ability to
- perform skillfully in a variety of rhetorical situations, suggesting
s/he will be able to handle nearly any writing task with flair
- choose and address ambitious topics and/or use innovative approaches
- produce texts which are appropriate, occasionally even sophisticated,
in the way they identify and address various audiences
- accomplish ambitious or innovative purposes in relation to his/her
chosen topics and audiences
|
| Level of Thought |
- writing that is consistently ambitious and mature, reflecting the
freshness of the writer’s ideas, strategies, perspectives, or
manners of expression
- writing that consistently shows the writer’s keen eye for detail
through an effective texture of general and specific ideas
and through the writer’s ability to
- consistently state ideas clearly and effectively, provide substantial
support for ideas, and discuss ideas in a manner that reflects the complexity
of issues
- not only describe phenomena or events clearly and effectively, but
also analyze and interpret their possible meanings, consistently going
beyond the obvious
|
| Use of Resources*
*Sources must be used ethically & documented appropriately.
|
- adeptly use human, internet and library resources in virtually every
stage of his/her writing processes
- draw consistently upon personal experience and observations of the
world, sometimes critically, sometimes generatively, sometimes as support
for or illustration of ideas
- seamlessly incorporate ideas and insights gained from reading into
his/her own texts, sometimes critically, sometimes generatively, sometimes
as support for or illustration of ideas
- allusions, interpretive strategies, and stylistic sophistication suggest
wide reading, not only of course materials but also of a wide variety
of print and electronic texts
|
| Structure & Style |
- move the reader effortlessly though a complex presentation of ideas
and issues; the text is organic, shaped by the demands of the ideas
and issues
- consistently offer opening strategies that are creative and engaging
and conclusions that provide more than simple restatements of preceding
ideas
- include mature sentences of various types and lengths; apt word choices;
effective use of metaphor and analogy; an appropriate tone; and a distinctive
voice
|
| Analytical Essay |
- demonstrates the writer’s ability to insightfully analyze his/her
writing, providing examples to support the analysis, and exploring how
the texts were revised, especially noting the use of teacher and peer
comments
|
| Portfolio Completeness |
- multiple drafts, evocative response questions, responses from classmates,
insightful responses to classmates’ drafts, substantive revisions,
adept editing, and insightful unit analyses
- individual papers that are long enough to successfully engage the
tasks, generally 5-7 pages, though this may differ depending on the
projects and based on discussion with the instructor
- consistent evidence of the writer’s ability to complete all
assigned work promptly and adeptly
- Incomplete portfolios may not be graded A.
|
| Grammar & Mechanics |
- although not necessarily perfect, are virtually free of the kinds
of errors that compromise the rhetorical effectiveness of the pieces,
and have virtually no stigmatized errors
|
| B-level Portfolio |
Reading and Writing Processes |
Evidence of the writer’s ability to
- offer thoughtful responses to the reading of published texts, orally,
in writing, and electronically via e-mail, on-line discussions, etc.
- offer thoughtful responses to classmates’ texts, orally, in
writing, and electronically via e-mail, on-line discussions, etc.
- incorporate the reading of student and professional texts into almost
every stage of his/her writing processes
- make global, paragraph-and sentence- level revisions using a variety
of strategies (addition, deletion, substitution, transposition, etc.)
- use teacher and peer response generatively, moving beyond a single,
narrow comment to revise other aspects of the paper or to initiate revisions
|
| Rhetorical Situations |
Frequently demonstrates the writer’s ability to
- perform skillfully in a variety of rhetorical situations, suggesting
s/he will be able handle nearly any writing task with skill
- choose and address ambitious topics and/or use innovative approaches
- produce texts which are appropriate in the way they identify and address
various audiences
- accomplish ambitious or innovative purposes in relation to his/her
chosen topics and audiences
|
| Level of Thought |
- writing that is often ambitious and mature, generally reflecting a
certain freshness of ideas, strategies, perspectives, or manners of
expression
- writing that generally shows the writer’s eye for detail through
an effective texture of general and specific ideas
and through the writer’s ability to
- consistently state ideas clearly and effectively, provide an effective
amount of support for ideas, and discuss ideas in a manner that suggests
the complexity of issues
- consistently describe phenomena or events clearly and effectively,
and to analyze and interpret their possible meanings, often going beyond
the obvious
|
| Use of Resources*
*Sources must be used ethically & documented appropriately.
|
Writer’s ability to
- skillfully use human, internet and library resources in virtually
every stage of his/her writing processes
- draw frequently upon personal experience and observations of the world,
sometimes critically, sometimes generatively, sometimes as support for
or illustration of ideas
- effectively incorporate ideas and insights from reading into his/her
own texts, sometimes critically, sometimes generatively, sometimes as
support for or illustration of ideas
- allusions, interpretive strategies, and stylistic sophistication
suggest the reading of, not only course materials but also additional
print and electronic texts
|
| Structure & Style |
- move the reader easily though a fairly complex presentation of ideas
and issues; the text is largely organic, shaped by the demands of the
ideas and issues
- generally offer opening strategies that are creative and engaging
and conclusions that provide more than simple restatements of preceding
ideas
- include sentences of various types and lengths; effective word choices;
occasional use of metaphor and analogy; a generally appropriate tone;
and a generally distinctive voice
|
| Analytical Essay |
- demonstrates the writer’s ability to thoughtfully analyze his/her
writing, providing examples to support the analysis, and exploring how
the texts were revised, especially noting the use of teacher and peer
comments
|
| Portfolio Completeness |
- multiple drafts, thoughtful questions for response, responses from
classmates, thought-provoking responses to classmates’ drafts,
substantive revisions, thorough editing, and thoughtful unit analyses
- individual papers that are long enough to successfully engage the
tasks, generally 5-7 pages, though this may differ depending on the
projects and based on discussion with the instructor
- consistent evidence of the writer’s ability to complete all
assigned work promptly and skillfully
- Incomplete portfolios may not be graded B.
|
| Grammar & Mechanics |
- although not necessarily perfect, are virtually free of the kinds
of errors that compromise the rhetorical effectiveness of the pieces,
and have virtually no stigmatized errors
|
| C-level Portfolio |
Reading and Writing Processes |
Evidence of the writer’s ability to
- offer informed responses to the reading of published texts, orally,
in writing, and electronically via e-mail, on-line discussions, etc.
- offer substantive responses to classmates’ texts, orally, in
writing, and electronically via e-mail, on-line discussions, etc.
- incorporate the reading of student and professional texts into various
stages of his/her writing processes
- make global or paragraph-level revisions using one or two predominant
strategies; however, sentence- and word-level revisions predominate
- revise, generally in response to specific comments made by the teacher
or peers; the writer is not clearly a self-starter when it comes to
revision
|
| Rhetorical Situations |
Demonstrates the writer’s ability to
- perform competently in a variety of rhetorical situations, suggesting
s/he will be able to handle nearly any writing task successfully
- choose and address standard topics in appropriate ways
- produce texts which identify various audiences, but s/he may experience
some difficulty bridging knowledge or opinion gaps between writer and
reader
- accomplish reasonable purposes in relation to his/her chosen topics
and audiences
|
| Level of Thought |
- writing that is competent and sometimes compelling, reflecting the
writer’s ability to draw upon familiar ideas, strategies, perspectives
or manners of expression
- writing that incorporates detail in support of a general idea, often
in a somewhat formulaic or predictable manner and through the writer’s
ability to
- almost always state ideas clearly and effectively and provide support
for ideas, although the complexities of issues may be suggested rather
than fully treated
- describe phenomena or events clearly and effectively and to analyze
and interpret their possible meanings, though interpretations may be
obvious or perfunctory
|
| Use of Resources*
*Sources must be used ethically & documented appropriately.
|
Writer’s ability to
- successfully use human, internet and library resources at various
stages of his/her writing processes
- draw upon experience and observations of the world and connect these
to readings or new situations. The connections may not be fully integrated
or explored.
- use outside readings, though these ideas may not be well-integrated
into papers, or may be used in a cut-and-paste fashion rather than a
more organic one.
- there is evidence of the critical and analytical reading of assigned
texts, both print and electronic, through the incorporation of ideas
from the reading into the author’s texts
|
| Structure & Style |
- move the reader competently but mechanically through a straightforward
presentation of ideas and issues; the text may be formulaic, in the
mode of the 5-paragraph theme; paraphrase and repetition may take the
place of development
- include opening strategies that rely directly on the assignment sheets
or use a version of a funnel strategy; conclusions tend to summarize
the preceding ideas
- include sentences of a fairly uniform type and length; standard word
choice; infrequent use of metaphor and analogy; generally appropriate
tone; and a generically competent voice
|
| Analytical Essay |
- demonstrates the writer’s ability to competently analyze his/her
writing, providing examples to support the analysis, and exploring how
the texts were revised, especially noting the use of teacher and peer
comments
|
| Portfolio Completeness |
- multiple drafts, questions for response, responses from classmates,
complete responses to classmates’ drafts, substantive revisions,
competent editing, and sound unit analyses
- individual papers that are long enough to successfully engage the
tasks, generally 5-7 pages, though this may differ depending on the
projects and based on discussion with the instructor
- consistent evidence of the writer’s ability to complete all
assigned work promptly
- Incomplete portfolios may not be graded C.
|
| Grammar & Mechanics |
- although not necessarily perfect, are virtually free of the kinds
of errors that compromise the rhetorical effectiveness of the pieces,
and have virtually no stigmatized errors
|
| D-level Portfolio |
Reading and Writing Processes |
Sporadic evidence of the writer’s ability to
- offer responses to the reading of published texts, orally, in writing,
and electronically via e-mail, on-line discussions, etc.
- offer useful responses to classmates’ texts, orally, in writing,
and electronically via e-mail, on-line discussions, etc.
- incorporate the reading of student and professional texts into his/her
writing processes
- revise at any level
|
| Rhetorical Situations |
Suggests the writer’s inability / unwillingness to
- perform competently in most rhetorical situations, suggesting s/he
will have difficulty handling many writing tasks
- choose topics and address them appropriately
- produce texts which identify and address various audiences, frequently
assuming more or less of the readers than is appropriate
- accomplish reasonable purposes in relation to his/her chosen topics
and audiences
|
| Level of Thought |
- writing that may be competent but never compelling, reflecting the
writer’s inability or unwillingness to move beyond mundane ideas,
strategies, perspectives, etc.
- writing that substitutes paraphrase and repetition for any real development
of ideas or discussion of issues
and through the writer’s difficulty
- stating ideas clearly and effectively, providing only minimal support
for assertions, and almost never addressing the complexity of issues,
often appearing unaware of them
- describing phenomena or events clearly and/or analyzing and interpreting
their possible meanings
|
| Use of Resources*
*Sources must be used ethically & documented appropriately.
|
Writer’s inability/ unwillingness to
- use human, internet, and library resources at various stages of his/her
writing processes
- draw upon experience and observations of the world and connect these
to readings or to new situations. Even if such connections are made,
they are not generally integrated or explored.
- use outside readings. Even if such readings are used, they are used
in a consistently cut-and-paste fashion rather than an organic one.
- there is little or no evidence of the critical and analytical reading
of assigned texts, suggesting difficulty summarizing complex ideas and
responding critically or interpretively
|
| Structure & Style |
- often require the reader to search for connections between ideas and
guess at the writer’s intent; as a result, readers may be tempted
to abandon the text without finishing it, seeing little to be gained
from a sustained effort
- may not offer any opening strategy per se or may offer openings that
seem unrelated to the rest of the text; may lack a sense of closure
- may include incomprehensible sentences or boundary problems; incorrect
or inappropriate word choice; no use of metaphor or analogy; and an
inappropriate tone and/or voice
|
| Analytical Essay |
- suggests that the writer is unwilling or unable to competently analyze
his/her writing
|
| Portfolio Completeness |
- only some multiple drafts, questions for response, responses from
classmates, and/or responses to classmates’ drafts; little or
no evidence of substantive revision; insufficient editing, and weak
unit analyses
- individual papers that are often shorter than necessary to successfully
engage the tasks
- evidence of the writer’s unwillingness or inability to complete
assigned work promptly
- Incomplete portfolios may be graded D.
|
| Grammar & Mechanics |
- display some of the kinds of errors that compromise the rhetorical
effectiveness of individual works and may have some stigmatized errors,
even a pattern of such errors
|
| F-level Portfolio |
Reading and Writing Processes |
Little or no evidence of the writer’s ability to
- offer responses to the reading of published texts, orally, in writing,
and electronically via e-mail, on-line discussions, etc.
- offer useful responses to classmates’ texts, orally, in writing,
and electronically via e-mail, on-line discussions, etc.
- incorporate the reading of student and professional texts into his/her
writing processes
- revise at any level
|
| Rhetorical Situations |
Demonstrates the writer’s inability / unwillingness to
- perform competently in any rhetorical situations, suggesting s/he
will be unable to handle most writing tasks
- choose topics and address them appropriately
- produce texts which identify and address various audiences
- accomplish even the most basic purposes in his/her writing
|
| Level of Thought |
- writing that is rarely competent and never compelling
- writing that consists largely of a series of unrelated statements
or passages unified only by a common topic or theme
and through the writer’s inability/ unwillingness to
- provide support for claims or ideas or address or acknowledge perspectives
other than his/her own
- describe phenomena or events clearly or analyze and interpret their
possible meanings
|
| Use of Resources
|
Writer’s inability/unwillingness to
- use human, internet, and library resources at any stage of his/her
writing processes
- draw upon personal experience and observations of the world and connect
these to readings or to new situations
- use outside readings
- there is essentially no evidence of the reading of assigned texts
or of the ability to summarize ideas and respond critically or interpretively
|
| Structure & Style |
- consistently requiring the reader to search for connections between
ideas and guess at the writer’s intent; as a result, readers may
be tempted to abandon the text without finishing it, seeing little to
be gained from a sustained effort
- may lack any sense of opening or closure
- frequently include consistently incomprehensible sentences or multiple
boundary problems; incorrect or inappropriate word choice; no use of
metaphor or analogy; and an inappropriate tone and/ or voice
|
| Analytical Essay |
- fails to analyze the writer’s work in the course
|
| Portfolio Completeness |
- only some multiple drafts, questions for response, responses from
classmates, and/or responses to classmates’ drafts; no evidence
of revision, editing, or analysis
- individual papers that are consistently shorter than necessary to
successfully engage the tasks
- no evidence of the writer’s willingness or ability to complete
assigned work promptly
- Incomplete portfolios may be graded F.
|
| Grammar & Mechanics |
- display the kinds of errors that compromise the rhetorical effectiveness
of individual works and may well have patterns of stigmatized errors
|