Dr. William P. Banks
Assistant Professor of Composition/Rhetoric
Phone: 252.328.6674
Email: banksw@mail.ecu.edu
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Time: MWF 2:00 - 2:50 p.m.
Place: 2017 Bate Bldg.
Office Hours: MWF 1:00 - 2:00 p.m.
Office: 2143 Bate Bldg. |
Introduction
It's impossible to guess what you've done in previous writing classes
— both high school and college — but as a writing teacher,
I also realize that what you've done before matters less than your willingness
to work hard and to perform as exceptional student-writers. In fact, in
this course, rather than think of you as "students," I'd rather
think of you as "writers." Unlike "students," writers
are usually self-starters, individuals with something to say and a desire
to communicate those ideas with others.
But writers are also more than that. Writers realize that their ideas
need to meet audiences, need to interact with other writers and thinkers
because their own ideas and thoughts are more carefully refined when they
do. These individuals not only receive criticism well, but they
go out of their way to return the favor, to give productive criticism
to members of their writing group. The writers in the course — both
students and teacher — make up that group. As writers together, we
have important projects to undertake, and our success depends on each other.
The projects below will demonstrate why.
Goals of English 3810
Building on the knowledges you've gained from pervious writing
experiences, students in English 3810 will develop two major projects
of their own choosing. Students who exit
English 3810 with a grade of C or better will be expected to
have
performed
competently
in
the
following
areas:
- Undertaking ambitious, mature, insightful projects that move beyond
"school writing";
- Locating, evaluating, and synthesizing primary, print, and electronic
bibliographic sources that contribute significantly to those projects
and that demonstrate the writer's ability to use research in different
ways and for different purposes;
- Conveying the results of writing and research to a variety of audiences
that will learn from and potentially act on those findings;
- Using their experiences as writers and readers to assist class
members with improving their projects by consistently offering high
quality responses to those projects and participating in class discussions
of those projects.
To meet these goals, you
will write and read extensively, both formally and informally, often
for every
class meeting. You must be prepared to share your writing
with your peers and instructor on a regular basis. You will complete a
minimum of 20 typed, double-spaced pages of polished prose in
an appropriate font face/size (Times 12 pt.).
Texts
- In Depth: A Collection of Essays, 2nd Ed. New York: HBJ,
1993.
- Fact and Artifact: Writing Nonfiction
- Handbook of Your Choice (or use the online handbooks available
at "Relevant Links")
Instructor Expectations
I expect
the writers I'm working with
to work with me, to be in class and on time each class meeting,
to devote a minimum of six (6) hours per week outside of class to course-related
work and not to wait until the end of the semester to try to do/revise
all of their work.
I
expect
writers
NOT
to
complain
about
writing and research,
but
to
try
to
have
fun
and enjoy the projects we will work on this semester. And I expect writers to
feel
that they can talk to me about their work, their concerns about their writing,
and their goals for this course. I do NOT expect students to be expert writers,
for if they were, they wouldn't need this course.
I do NOT believe
in a "bell-curve" or in making the students' grades for
this course fall along an A — F continuum. Every student who
works at the A-level consistently (based on the Course
Outcomes Rubric) should expect to receive an A in the course,
keeping in mind that A-writers complete all work on time and at an
exceptional level throughout the semester; they come to class
everyday during the semester; they do not ask for extended
deadlines more than once; they don't make excuses for poor or late
performance; they are exceptional peer-responders to their class
colleagues; they take a leadership role in the class, consistently
going beyond the "minimum" requirements for assignments;
and they seek the one-to-one help they need (from teachers, peers,
or the
University Writing Center) throughout the semester rather than procrastinating
and expecting someone else (teacher, peer, writing consultant) to
solve their problems for them. If you can be that sort of student,
I look forward to awarding you the A you will have earned.
Projects
Most of English 3810 is writer-directed. Writers in this course
choose their topics for major projects. However, all writers are expected
to complete three (3) substantial projects and an analytical cover letter
for their writing portfolios, as well as maintain a writer's "blog."
Portfolios consist of all project
drafts (rough drafts, middle drafts, workshop drafts, finished drafts),
peer responses (both to and from classmates and teacher), short writing
assignments, and other projects we work on during the course of the semester,
as well as a link to the writer's blog. **
All projects must be turned in on-time and complete for students to receive
credit.
Only projects turned in on-time and complete may be included in the portfolio.
Incomplete portfolios may receive, at best, a D. Your portfolio grade
IS your course grade, so consistent diligence is required to do well
in this course. **
Writers in 3810 will keep a blog of their thoughts and experiences this
semester and use this resource as a method for both developing ideas and
responding to the texts we read, as well as the worlds we live in. These
blogs will also be used to keep up with research writers are conducting
as part of their major projects. Class time will be spent explaining blogs
and giving students instruction on how to create and update these blogs.
Your two major projects, although they are "free choice," must
be workshopped in class and must demonstrate advanced writing and thinking
skills. Throughout the beginning of the semester, students will read and
write responses creative nonfiction pieces from the course textbooks.
Students may then choose to try something a little different and write
their own creative nonfiction pieces, using the examples in textbooks
as models. Or, students may undertake important projects of a different
sort, depending, perhaps, on the students' majors or interests, or on
key issues the students wish to address this semester. Regardless, students
are expected to make photocopies of their projects available to all class
members during the class meeting before their projects are to
be workshopped in order for respondents to have time to write their critiques.
Your third major project involves the combined page-long responses
to each of your peers in class for workshop. Workshop responses
should be one-page in length, single-spaced, and reflect significant
engagement
with
the writings they are addressing. Because there are twenty-five
students in class, plus one teacher, and there are two major projects,
each student will end the semester with fifty-two (52) single-spaced
pages of response-writing.
Following the assignment guidelines, writers in 3810 will turn
their final analytical lenses on themselves and their own "archives" of
work during the semester, paying particular attention to the processes
they went through in developing their projects, conducting research,
and revising writing into various sorts of texts for distribution
to larger audiences. This project will have been through several "rough
drafts" throughout the semester as students write Project
Memos at each stage during the course.
Attendance
Although students
may choose to be absent from class as frequently as they’d
like, these absences will adversely affect your grade by affecting
your
in-class performance. English 3810 is a workshop course;
missing class means that students miss out on getting projects
to respond to and miss out on giving their writing and oral responses
to their peers. One missed class can, in fact, be detrimental to
students because catching up on responses and readings can be very
difficult once the semester is in full swing. Students who miss
NO days of class during
the semester
will receive a three (3) point bonus on their final portfolio grade. It
is your responsibility to sign-in to class each day. **
If you were in class and forgot to sign-in, then you were absent.
**
Late Work
We all have very busy, trying lives, and as such, there come
times when we have to complete some work late. Each student in this class
is allowed an occasional late response to workshop drafts or an occasional
late blog entry without serious penalty. In such cases when students cannot
make it to class to workshop their peers' projects, I expect them to email
their responses to their peers on or before workshop day. Workshop projects
themselves should NOT be handed in late. We have 26 writers in class and
thus 52 projects; we will be on a tight schedule, and missing such major
deadlines may result in writers' not getting any feedback, a most lamentable
experience with dreadful consequences.
**
Since all projects must be workshopped in class for
students to receive credit, late projects that do not go through
workshop will be ineligible for inclusion
in the portfolio, which will result in an incomplete portfolio.
Incomplete portfolios may receive, at best, a D. Your portfolio
grade IS
your course
grade,
so consistent
diligence is required to do well in this course. ** (I
hope this is a Draconian as I have to get at any time in my
teaching career!)
Conferences
Students
should schedule conferences with me when they do not understand comments
I've made on their projects or when they become confused about the expectations
of this course. Likewise,I may require a certain number of individual
and/or group conferences
during
the semester. Missing a scheduled conference means that your
portfolio will be missing the work we discussed during said conference,
resulting
in an incomplete portfolio and a grade of D, at best. If you
cannot make a scheduled conference, I need to know six (6) hours in
advance so that we can reschedule and so that other students can make
use of my
office time.
Academic Integrity
Students
are expected to be honest about individual effort and responsible
to peer/secondary
source materials that are included in their projects. Both plagiarizing
and turning in work written partially
or completely by someone else are forms of academic dishonesty and carry
serious penalties, the least serious of which is a grade of zero on the
particular assignment (and thus a D, at best, in the course), but could
also result in failure of the class and even expulsion
from the university. Students who keep up with their work and consult with their
peers and their professor have no reason or need to "cheat."
Computers in the Classroom
Because we
meet in a computer-mediated classroom, we will make almost daily use
of the machines. However, certain computer-related behaviors will
not be tolerated. You may check your email or free-surf the web
as you please before and after class, but after I announce the beginning
of class by starting the roll, any student still using email, chat programs,
or web browsers for non-class-related activities will loose
points for participation or may even be considered absent from class
for the day. **Likewise,
students retain sole responsibility for keeping electronic copies of
all their work.** Lost or stolen disks, erased disks,
home computer crashes, printer problems, etc. do NOT excuse you from
turning in work or having copies of all your work on disk at the end
of the semester. Remember to make frequent back-up copies of files
and keep copies on multiple disks.
Accommodations for Students with Special Needs
East Carolina University seeks to comply fully with the Americans with Disabilities
Act (ADA). Students requesting accommodations based on a covered disability
must go to the Department for Disability Services, located in Brewster A-114,
to verify the disability before any accommodations can occur. The telephone
number is 252-328-6799.
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